STYLE & CULTURE: SHOOT
Hip To Be Square:
The New American Psycho
Futuristic Dragon photographer Lucas Alexander Wilson re-imagines the Brett Easton Ellis classic
Patrick Bateman. Glossy raincoat. Business card. Axe. Once a parody of toxic masculinity, he’s now a near blueprint for the so-called manosphere: the filtered face, the disciplined body, the apartment with no life inside it. In the first editorial for FUTURISTIC DRAGON our photographic director Lucas Alexander Wilson directs model and influencer Elle Erasmus in an editorial that holds up s a bloody mirror to the insipid patriarchy of our moment, reclaiming Brett Easton Ellis’s seminal American Psycho for a new generation by flipping the narrative – a woman in red, bathed in blood, inhabits the same ruthless persona, stripped of the male entitlement but not the power.
The character moves from icy control to full unraveling mirroring the film’s descent into chaos but with a gendered lens that reframes what it means to perform sociopathy, control, and perfection. The horror isn’t in the violence anymore — it’s in the symmetry. By swapping the male lead for a female one, the satire cuts deeper. We see how male violence is often glamorised, turned into a meme or style icon while female rage is policed, feared, or dismissed. This shoot asks: what happens when the woman is just as polished, just as empty? Does it still feel like some twisted aspirational late-capitalism machismo? Or does the fantasy fall apart?
All quotes from the novel American Psycho published by Random House
“There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.”
“I had all the characteristics of a human being—flesh, blood, skin, hair—but my depersonalization was so intense, had gone so deep, that my normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning”
“There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.”
“My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape.”
“There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed.”
“This is true: the world is better off with some people gone. Our lives are not all interconnected. That theory is crock. Some people truly do not need to be here”
“Where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in”
“What does intelligence signify? Define reason. Desire- meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence.”
“I felt lethal, on the verge of frenzy. My nightly bloodlust overflowed into my days and I had to leave the city. My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.”
Model: Elle Erasmus
Creative Direction & Photography: Lucas Alexander Wilson
Producer: Patrick Haynes
MUA: Mariia Usanova
Hair: Marc Ramos
Stylist: Mizuki
Set Design: Lily Lytton
Set Build: Matthew Lawrence
Film Developed: London Film Lab
Printed: Rapid Eye Darkroom & Chan Photographic
Shot on Kodak 500 16mm
Still Lighting: Godox Global
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